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Reviews

Discover new music from Australia and around the world. Covering emerging artists, established favourites and everything in between, Eat This Music shares thoughtful reviews and fresh sounds worth adding to your playlist.

Kita Alexander’s second album ‘Rage’ is the catalyst of positive change

July 1, 2026

Back in February, when Kita Alexander released the title track Rage, it felt like the beginning of something significant, as the single

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The Pretty Reckless’ “DEAR GOD” is the most honest record they’ve ever made

June 28, 2026

There comes a point in every great rock band’s career where volume alone is no longer enough, where the riffs can still

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Triple Lutz’s debut album refuses to look away from uncomfortable truths

June 27, 2026

Punk has always thrived on discomfort. Not because it enjoys chaos for its own sake, but because the genre has long served

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Margo Mann’s “Shapeshifter” explores how people change to make others comfortable

June 24, 2026

In a culture obsessed with urgency, self-optimisation and constant reinvention – the most devastating line in Margo Mann’s new single Shapeshifter isn’t

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Lucky Break’s “Head Down” is an exploration of the illusion of innocence

June 24, 2026

One artist emerged from the alternative rock explosion of the 1990s, helping define an era through her work with Hole and The

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Stefanie Passione’s ‘If you want it’ is about capturing the feeling of confidence

June 21, 2026

There is a certain confidence that can’t be faked. Not the loud, attention-seeking kind, and not the type that demands validation. The

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KLP’s ‘Point of View’ is an energetic homage to DB Boulevard

June 21, 2026

More than two decades after its original release became a staple of dancefloors around the world, Australian producer, vocalist and multi-platinum artist

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CHAII’s “Ride or Die” is an anthem about loyalty

June 21, 2026

Persian-New Zealand artist CHAII has built a career on blending cultural identity, confidence and modern hip-hop production, and Ride Or Die continues

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Sublime’s new album is delicious like a jalapeño

June 17, 2026

Sublime return with their fourth and final record, featuring original members Bud Gaugh and Eric Wilson alongside Jakob Nowell, son of the

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Cat & Calmell’s ‘Clarity’ cover is a hyper-pop homage to Zedd

June 13, 2026

Cat & Calmell have never been afraid to reinvent themselves, and their latest release proves they’re still one of Australia’s most exciting

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Josh Pyke’s newest album is an opportunity to disengage from the turbulence of our current existence

June 12, 2026

For more than twenty years, Josh Pyke has occupied a unique place in Australian music – while trends have come and gone

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Faouzia’s ‘FILM NOIR (fin)’ is a bridge out of a dark & twisted world into something far more hopeful

June 12, 2026

There are artists who spend years searching for their voice, and then there are artists like Faouzia who seem determined to build

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  • Home
  • Delicious New Music
  • Table For Two (or more)
  • Signature Dishes
  • Radio Kitchen
  • About
  • Home
  • Delicious New Music
    • Australia
      • Alison Wonderland
      • Ninajirachi
      • Kita Alexander
      • KLP
      • Woodes
      • Romanie
      • Anna Lunoe
      • Myxi Bun
      • Nicole Millar
      • The Veronicas
    • International
      • Sofi Tukker
      • K.Flay
      • Taylor Swift
      • Paramore
      • Grouplove
      • Tokimonsta
      • Shinichi Osawa
      • Freya Beer
      • Caroline Polachek
      • Kanye West
    • Pop
    • Rock
    • Electronic
    • Alternative
    • Punk
    • R&B
    • Folk
    • Hardcore
    • Country
  • Table For Two (or more)
    • Eat This Music Interviews
    • What I’ve Been Listening To
    • Interviews on Soundcloud
  • Signature Dishes
    • On Today’s Menu
    • Song of the Day
    • Guest Article
    • 360(5) Days of “Falling & Flying”
    • (Amy) Shark Week
    • A Look Back At…
    • Favourite Songs
    • Feast This Music
    • Feast This Music 2
  • Radio Kitchen
  • About