In a culture obsessed with urgency, self-optimisation and constant reinvention – the most devastating line in Margo Mann’s new single Shapeshifter isn’t
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One artist emerged from the alternative rock explosion of the 1990s, helping define an era through her work with Hole and The
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Josh Pyke’s newest album is an opportunity to disengage from the turbulence of our current existence
For more than twenty years, Josh Pyke has occupied a unique place in Australian music – while trends have come and gone
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For a group whose identity has been built on disruption, Pussy Riot’s debut album is likely going to feel like the culmination
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If SNITCHES introduced you to Gypsy Lee’s sharp songwriting, then her latest single “WHAT DOESN’T KILL YOU COSTS A LOT IN THERAPY”
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Singapore’s Gnaw arrive with a debut EP that feels deliberately unstable – in the best possible way. Inside a Machine That’s Glistening
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On the first program for 2026, you are going to find delicious new music from Motez & DOOLIE, Leo Pol & Pote,
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With the announcement of her sophomore album RAGE, Kita Alexander is stepping into a bolder, more emotionally raw era, and the title
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Arlo Parks‘ newest track is built around poetic repetition and imagery, the song captures a moment of emotional dislocation – being physically
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Stripped of narrative and spectacle, MOTHICA‘s “Save Your Roses” relies on repetition and emotional immediacy, as her latest song unfolds as a
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LIGHTS has always written pop songs that feel like conversations you rehearse long after they’re over, and “Come Get Your Girl” (CGYG)
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On today’s menu, you are going to find some delicious new music from Motez & DOOLIE, LO’99 & Yolanda Be Cool, Young
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