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Reviews - Page 2

Discover new music from Australia and around the world. Covering emerging artists, established favourites and everything in between, Eat This Music shares thoughtful reviews and fresh sounds worth adding to your playlist.

NOFX’s “Minnesota Nazis” is a bleak and incisive commentary of modern America

February 8, 2026

NOFX‘s newest single post-retirement serves as the opening chapter in an ambitious three-part A–Z collection compiling unreleased material spanning more than 40

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PRINS’ “DESIGNER” is unapologetically ambitious

February 8, 2026

PRINS kicks off 2026 with unapologetic intent on “DESIGNER,” a sleek, with a dark, sensual edge, as it is driven by a

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Arlo Parks’ “2SIDED” is built around a moment of emotional dislocation

February 8, 2026

Arlo Parks‘ newest track is built around poetic repetition and imagery, the song captures a moment of emotional dislocation – being physically

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MOTHICA’s “Save Your Roses” is a study in intensity

February 8, 2026

Stripped of narrative and spectacle, MOTHICA‘s “Save Your Roses” relies on repetition and emotional immediacy, as her latest song unfolds as a

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Lights’ “COME GET YOUR GIRL” is about paying respect to your past self

February 7, 2026

LIGHTS has always written pop songs that feel like conversations you rehearse long after they’re over, and “Come Get Your Girl” (CGYG)

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Grace Annabella Anderson’s debut album is for the perpetual muses reclaiming their singular voice

February 7, 2026

Grace Annabella Anderson’s debut album “Art, Baby” arrives with the kind of confidence that doesn’t need to announce itself loudly; across thirteen

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Magdalene’s “DJesus” is a commentary on conservative Christianity

February 7, 2026

Magdalene has never been interested in playing nice, and on her new single “DJesus” she makes that loud. Released via MDDN, the

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Artemas leans fully into his role of lover-boy with his newest single ‘time alone w u’

December 27, 2025

Hello, it is Steve. I just wanted to take this time to get a little bit personal with you… as I have

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Alison Wonderland’s “Ghost World” is the feature-length embodiment of inclusivity

December 6, 2025

Alison Wonderland has always built worlds—self-contained, emotionally charged, often chaotic, always cathartic. But Ghost World, her fourth studio album, feels like the

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Indira Paganotto’s “Black Magic” is a chaos-driven collision of strings

December 6, 2025

Indira Paganotto has never been one to do things by halves, but her latest single “Black Magic” suggests she’s now working in

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Yolanda Be Cool & Traxman’s “Get Down” is an ode to ghetto tech

November 16, 2025

Australia’s own Yolanda Be Cool are back doing what they do best: making tracks that get stuck in your head and stuck

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Anna of the North’s “No One Knows You Better” feels like a quiet confession

November 16, 2025

Anna of the North is back to crush our hearts in the softest way possible. She recently officially announced her long-awaited new

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  • Home
  • Delicious New Music
  • Table For Two (or more)
  • Signature Dishes
  • Radio Kitchen
  • About
  • Home
  • Delicious New Music
    • Australia
      • Alison Wonderland
      • Ninajirachi
      • Kita Alexander
      • KLP
      • Woodes
      • Romanie
      • Anna Lunoe
      • Myxi Bun
      • Nicole Millar
      • The Veronicas
    • International
      • Sofi Tukker
      • K.Flay
      • Taylor Swift
      • Paramore
      • Grouplove
      • Tokimonsta
      • Shinichi Osawa
      • Freya Beer
      • Caroline Polachek
      • Kanye West
    • Pop
    • Rock
    • Electronic
    • Alternative
    • Punk
    • R&B
    • Folk
    • Hardcore
    • Country
  • Table For Two (or more)
    • Eat This Music Interviews
    • What I’ve Been Listening To
    • Interviews on Soundcloud
  • Signature Dishes
    • On Today’s Menu
    • Song of the Day
    • Guest Article
    • 360(5) Days of “Falling & Flying”
    • (Amy) Shark Week
    • A Look Back At…
    • Favourite Songs
    • Feast This Music
    • Feast This Music 2
  • Radio Kitchen
  • About