Delicious New Music for National Turkey Neck Soup Day

On today’s menu, you are going to find some delicious new music from Joe Goddard, Jake Isaac, Hunter Daily, St. Vincent, BAD WITH PHONES, Lindsey Lomis, Little Monarch, The Drives, r.mason, and Summer Salt.

Dig in and enjoy!

Joe Goddard ft. Fiorious – New World (Flow) [ABSOLUTE. Transcendental Flow Remix]

Jake Isaac – Good Man

https://api.soundcloud.com/tracks/1746399447

Jake Isaac’s latest single, “GOOD MAN” revisits his heritage, infusing the vibrant warmth of old-school live R&B instrumentation with a soul-stirring authenticity that resonates deeply, showcasing Jake’s versatility by spotlighting his patois accent, a celebration of his family’s Caribbean heritage. Inspired by his father, Reverend Les Isaac OBE, and the resilience of the Windrush generation, the song pays homage to the determination and fortitude that enabled them to thrive despite formidable obstacles.

Through lyrics and Jake’s renowned vocal expertise, the track becomes a powerful testament to familial constructs, community, and the indomitable spirit of those who paved the way for future generations. Jake says, “In our grandparents’ generation the term ‘good man’ spoke of family constructs, community, resilience. In the Windrush generation there were a lot of people who had to work out to be good men and good women to survive. My dad is from Antigua and my mum is from St. Kitts, so the song speaks for those West Indians who set life up for our generation.”

Hunter Daily – California Poppies

songwriter Hunter Daily’s “California Poppies” invites listeners on a journey of introspection and renewal, perfectly timed to welcome the arrival of spring. The dreamy track captures Hunter’s reflections on embracing change and bidding farewell to familiar landscapes. Through evocative lyrics and enchanting melodies, she navigates the complexities of saying goodbye, acknowledging the bittersweet nature of new beginnings.

Hunter’s inspiration for “California Poppies” stems from her personal experiences with starting anew and the challenges of letting go. In the song, she expresses her belief in the transformative power of endings, likening them to the graceful metamorphosis of California poppies into butterflies. “Starting over comes with inevitable goodbyes. They’re bittersweet — they give you an opportunity to move on, but also force you to close a chapter, which has always been really difficult for me,” Hunter says. “In ‘California Poppies,’ I write: ‘California poppies don’t die, they just turn into butterflies.’ Things don’t just end, rather they evolve/transform. To have an optimistic, open mind about endings might be a little bit delusional, but I prefer it that way. To me, thinking that way is more magical and less morbid.”

St. Vincent – Flea

https://api.soundcloud.com/tracks/1741281951

St. Vincent declares eternal possession in “Flea”, the latest offering from her seventh studio album – due out for release in the last week of April. – eith St. Vincent taking charge of vocals and all instruments except drums and bass, expertly handled by Dave Grohl and Justin Meldal-Johnsen respectively, “Flea” emerges as a showcase of unbridled desire, set against a backdrop of thunderous grooves and blistering guitar riffs.

BAD WITH PHONES – Don’t Talk To Me

Lindsey Lomis – Stalker

Little Monarch – Sheesh

https://api.soundcloud.com/tracks/1778356335

Little Monarch’s latest single “Sheesh” is a self-love anthem pulsating with keys and synths. Recorded in her home studio in Venice, California, Little Monarch has crafted a euphoric celebration of individuality and prioritising self-care. Collaborating with notable talents like drummer Kiel Feher (Meghan Trainor, Selena Gomez) and string instrumentalist Gabe Noel (Harry Styles, Kelly Clarkson), “Sheesh” radiates with infectious energy and infectious positivity.

“It’s just about coming out of a dark place back into a place of self-love and celebration, being the main character in your own story for a moment,” Little Monarch says. “That feeling when you are down as shit, but then you take a shower and throw on a hot outfit and you just decide to feel better and prioritize yourself for a second.”

The Drives – Overeducated

https://api.soundcloud.com/tracks/1772757993

The Drives’ latest single is a gritty garage rock anthem that explores the uncertainties and disillusionments of post-college life. Frontman Andrew lays bare his personal turmoil, reflecting on the aimlessness and disconnection he experienced during his college and post-college years. The track is a showcase about the reflection of grappling with societal expectations and the pressure to adhere to a predetermined path, even when it diverges from one’s true desires.

“This song is about how completely lost and directionless I was in my college and post-college years,” Andrew reveals. “I remember feeling like I was on this trajectory in school that was leading to the rest of my life, but it wasn’t what I wanted. It was a time in my life where I felt like I was going along with someone else’s plan. I basically had no idea what I wanted in my life. This song is basically about the headspace I was in during that time.”

Summer Salt – Poolside

Summer Salt’s “Poolside” evokes images of carefree summer days and the warmth of shared affection, as the duo invites audiences into a world where love remains a steadfast anchor in life’s ever-changing tides. “Poolside” – with its nostalgic charm and universal themes – serves as a promising preview of whats to come from their upcoming album.

r.mason – Velvet Shade

https://api.soundcloud.com/tracks/1762696182

Victoria-based indie rock duo r.mason introduces their latest single, “Velvet Shade”, a blend of soulful songwriting and explorative moods – fronted by singer-instrumentalist Rebecca and guitarist Jonathan – r.mason weaves a mix of paradoxical emotions, juxtaposing lightness with tension and desperation with transcendence.

Across the over four-minute runtime of the song, you’re getting the complexities of love, reflecting on struggles with acceptance, and the diverse expressions of affection exhibited by others. “For years I have hated the way other people love – from my father to friends to lovers,” Rebecca says. “Their love doesn’t always look the way mine does, and like all other vibrations from our human feelings, I am fascinated by this. Through this song, I am trying to accept the way other people love, and not turn my back on it.”