Delicious New Music for 8 April 2023

On today’s menu, you’re going to find some delicious new music from HI-LO & Space 92, Lost Under Heaven, House of EL & Saeyki, Neve Bowen, KiNG MALA, Kelsey Hickman, Josephine De Smet, DEJA, Malavika, and The Aquadolls.

Dig in and enjoy!

HI-LO & Space 92 – Arpeggio

Techno fans, brace yourselves for a colossal collaboration between two of the genre’s most revered names – HI-LO and Space 92. Following their massive chart-topper ‘Mercury‘ in August 2022, the duo has returned with ‘Arpeggio‘. The single-sided package is an unrelenting six-minute techno journey that sees both producers explore a wide array of timbres from across the techno spectrum.

‘Arpeggio’ begins with an unyielding bassline and frenzied rhythms that immediately grab the listener’s attention. As the track progresses, a captivating arpeggiated breakdown riff takes center stage, forming the backbone of the tune. HI-LO and Space 92’s trademark soundscapes and hard-hitting atmospheres are on full display, engaging the listener from the very first kick drum.

The complexity and energy of ‘Arpeggio’ are impressive, showcasing the producers’ innate ability to draw you into their captivating collaborative construct. The track is both gratifyingly dark and mind-bending hypnotic, featuring a remarkable blend of melodic techno, trance, and peak-time techno.

House of EL – Pull Up (feat. Saeyki)

Malavika – Overdrive

Malavika’s newest single is a genre-bending mix of R&B, hip-hop, and pop, the track is a testament to her versatility as an artist; as Malavika’s powerful vocals steal the show with confidence and playfulness. With this song, Malavika wanted to take her harmonies, layers, and ad-libs to the next level on this track, resulting in a sound that’s reminiscent of early 2000s R&B, an era that she’s particularly drawn to.

I feel that has been achieved, with Malavika incorporating her culture into her music – which is also important to her – she believes that the influences in her music are a reflection of her upbringing and experiences, and she tries to incorporate sonic and visual elements of her culture in a natural and organic way.

DEJA – ONE

DEJA’s latest offering “ONE” boasts signature sass and unapologetic lyricism over bouncy beats that are sure to get your head nodding. But there’s more to this track than just catchy hooks and infectious rhythms. DEJA’s lyrics speak to the frustration that many of us feel when faced with obstacles in life, and the grit and determination we need to overcome them. In her own words, “ONE” is a reflection of the challenges we all face, and the dominatrix attitude we have to adopt to get things done.

Production-wise, “ONE” is a masterclass in pop music. The instrumentals are crisp and punchy, with bright synths and shimmering guitars that add depth and texture to the track. DEJA’s vocals are front and center, commanding attention with their power and presence. The overall sound is polished and professional, a testament to DEJA’s skills both as a performer and as a producer.

Josephine De Smet – ENEMY

Josephine De Smet’s “Enemy” is a hauntingly beautiful track that is packed with the singer’s signature sounds and creative flair. Josephine’s warm layered vocal harmonies are accompanied by dark instrumentation that creates an eerie atmosphere. With ten previous releases, Josephine is no stranger to the music industry, as the rising musician has been making waves with her unique blend of alternative pop music, and “Enemy” is no exception. The track is a perfect showcase of her vocal range, with Josephine effortlessly transitioning from soft, ethereal notes to powerful, emotive belts.

The production of “Enemy” is summed up perfectly, with every element perfectly balanced. The instrumentals, which feature a mix of electric and acoustic guitars, synths, and drums, create a sound that is both familiar and fresh. The track builds gradually, with layers of sound and harmonies adding depth and texture to the overall mix.

KiNG MALA – dirty dishes

KiNG MALA has returned with a new track that adds a funky twist to the mundane task of doing chores. “dirty dishes” sees the alternative pop artist shed her earlier brazen persona to reveal a more tender side. The song features an uplifting mix of sunny vocals, nostalgic basslines, and ethereal guitar chords that evoke a Cascade-like brightness.

In “Dirty Dishes,” KiNG MALA delivers a raw and vulnerable narrative about putting someone else first. The lyrics revolve around the idea of granting someone complete access to one’s life, as exemplified by the line “I gave you the door code to my apartment.” The song is an honest reflection of falling in love with someone new and the fear and beauty that comes with that experience. It also explores the bittersweet feeling of not loving oneself but being willing to try for someone else.

KiNG MALA’s alternative pop vocals are the standout feature of “Dirty Dishes.” Her voice is effortlessly smooth and soothing, evoking a sense of comfort and familiarity. The production is also noteworthy, with the instrumentals being perfectly layered to create a sound that is both energetic and soothing. The nostalgic basslines and ethereal guitar chords create a feeling of lightness and hopefulness that is hard to resist.

Neve Bowen – Deep Blue Ocean

Neve Bowen’s music is characterised by a unique blend of alternative rock and widescreen sonic drama, with lyrics that tackle the mental health challenges facing the lockdown generation. With “Deep Blue Ocean,” Bowen continues to showcase her talent for creating music that is both powerful and relatable.

Recorded at Sticky Studios in Surrey and produced by Matt Brettle, “Deep Blue Ocean” features Bowen’s signature alternative rock vocals, which are both haunting and beautiful. The production is tight and polished, with each instrument and sound carefully crafted to create a rich and layered sonic landscape. The instrumentals on “Deep Blue Ocean” are particularly noteworthy, with Bowen and her band delivering a performance that is both energetic and controlled. The drums are driving and insistent, while the guitars are both crunchy and atmospheric. The bassline provides a solid foundation for the rest of the song, keeping the rhythm steady and propelling the music forward.

“Deep Blue Ocean” is an impressive effort from Neve Bowen, and a strong indication of the young artist’s potential. With her unique blend of alternative rock vocals, production, instrumentals and sounds, Bowen is quickly making a name for herself in the UK music scene. We can’t wait to see what she does next.

Lost Under Heaven – Dark Days

Lost Under Heaven’s “Dark Days” is a track that showcases the band’s unconventional approach to alternative rock. With its blend of medieval and futuristic sounds, their new single embodies Lost Under Heaven’s exploration of the themes of Mystical Idealism vs Pessimistic Realism.

The song opens with a frenetic rush of goth-tinged rock noire, featuring the mesmerising vocals of frontwoman Ebony, who takes center stage with her haunting voice. The lyrics are a reflection of the turbulent times we live in, with Ebony singing, “In the quiet before the storm, I fear the worst is yet to come.” Lost Under Heaven writes about what they live, and like the rest of us, they are on the edge of an ever-increasing turmoil.

The instrumentals of “Dark Days” are atmospheric, with a sense of urgency that perfectly captures the track’s themes. The medieval and futuristic sounds blend together seamlessly, creating a sound that is both haunting and exhilarating. The track’s production is a testament to the band’s commitment to their craft, as they continue to push the boundaries of alternative rock.

The Aquadolls – Burn Baby Burn

The Aquadolls’ “Burn Baby Burn” is the second track from their upcoming album set for release in the first week of June, and the song is a perfect blend of alternative rock vocals, production, instrumentals, and sounds, all of which come together solidy.

“Burn Baby Burn” starts off strong with fuzzy guitars and anthemic vocals that guide the production value on the track with every instrument and sound carefully crafted 2-minute plus song.

Kelsey Hickman – Novocaine

Kelsey Hickman’s “Novocaine” is a blend of rock and country tones that showcase Kelsey’s vocal delivery – powerful and dynamic – telling a story of a love that’s as addictive as a drug. The song’s soulful lyrics strike a chord with listeners as they delve into the raw emotion and passion of a love that drives you insane.

The production of “Novocaine” is heavily influenced by producer Don Miggs, who brings out the best in Kelsey’s vocal performance. The song’s gradual build and gradual release keep listeners hooked, with the lyrics hitting you right in the heart. Kelsey explains, “When I first heard the word novocaine… I was like, ‘damn.’ If I liked the way that word hit me rolling off my tongue, I can’t imagine singing it.” Miggs’ production complements Kelsey’s vocals perfectly, creating a melodic masterpiece that’s both infectious and tasteful.

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